Yesterday as I was about to leave Basepoint Business Centre in Bromsgrove I was given a branded keyring that includes a disc that will operate the lock on supermarket trolleys. I am struck by how heavy it is. It has a quality feel about it. It started me thinking about heavy. A heavy pen feels much nicer to use than something that is light and plasticy. It has a quality feel. What is it about heavy that communicates quality? Possibly because heavy is often allied with solid and therefore feels well made. You don’t usually feel the weight of a car door but the sound it makes when it closes shouts solid (and heavy), or not, as the case may be.
OK, so heavy is good. Well, not necessarily. The maker of that car will have worked hard to reduce weight to improve performance and fuel economy. Makers of very expensive performance cars may well use exotic materials such as carbon-fibre to reduce weight. Boeing’s new 787 Dreamliner makes extensive use of carbon composites to reduce weight.
So light or heavy is good, depending on the application in question. But solid is always good. Except when you want something flexible!
There is a saying amongst engineers that if it looks right it probably is right. I think the same can be said about feel. Our brains have a way of working out what looks and feels right. What looks ‘quality’. Although this doesn’t always work. Try walking on a glass floor and see whether it feels right! Glass floors aside, the image portrayed by our business and our products can be influenced by feel. Hand over a business card that feels solid and we will immediately be perceived as being a higher quality business that if we use cheap and flimsy cards. They just don’t feel right. They’re not heavy.




